During the College Football Playoff National Championship game’s intermission, Travis Scott will make his grand debut with his new single “4×4”.
Monday, January 20th, at 7:30 PM ET, you can watch Notre Dame take on Ohio State at Mercedes-Benz Stadium in Atlanta, Georgia. The game is broadcast on ESPN.
Despite teasing, Scott’s halftime performance will be the public debut of “4×4”.
It was revealed in November that Scott would compose the theme music for WWE’s Monday Night Raw program. Scott played a little excerpt of the song “4×4” on his Instagram Live just before the program’s first 2025 edition on January 6.
Besides that, Scott allegedly just discovered a new mode of transportation: a one-of-a-kind, limited-edition Hemi Hellcat V8 Horsepower Apocalypse Omega-Rex pickup truck, which retails for $160,000.
On Tuesday (January 14), TMZ stated that the purchase was made from SoFlo Customs.
The “ultimate pickup” that Travis managed to snare was supposedly the very last one.
A lawsuit regarding his collaboration with Future and SZA on the song “Telekinesis” is Travis’s main concern, rather than a possible end of the world.
On January 8, Roc Nation artist Victory Boyd took Audemars Piguet, the other named songwriters on the song (including Scott, SZA, and Future), and the record label itself to federal court in New York. “Telekinesis” allegedly samples parts of her song “Like The Way It Sounds” without her consent, according to her.
Boyd states that she and Kanye West collaborated on the song “Like The Way It Sounds” in November 2019. She continues by stating that Scott was inspired to create “Telekinesis” after hearing Boyd’s song, which was shared with Future and SZA by West—who is not named in the lawsuit—.
According to the lawsuit, Scott’s song incorporates elements of “Like The Way It Sounds.” Specifically, it states that the chorus of “Telekinesis” has lyrics that are “directly copied” from Boyd’s song.
According to Boyd, Audemars Piguet is involved because, despite asking Scott’s permission and receiving a negative response, the business proceeded to use her song in an advertisement.
Boyd claims that the information that she is identified as one of the song’s composers on Spotify as of the date of the suit’s filing came straight from the persons she is suing. This is something that Boyd points out in her favour. She further states that she was just granted an 8% share in the song.
